All Critics (67) | Top Critics (26) | Fresh (63) | Rotten (4)
"The Queen of Versailles" is funny, sad, infuriating, instructive. It's the American Dream inflated to ridiculous extremes, until it bursts.
More than a social morality tale, this is a character study, with the title well chosen.
"The Queen of Versailles" ought to be required viewing for anyone who blames the rich for yanking the rug out from under America's economy.
What I left with was not hatred. I disapprove of the values they represent, but I also find them fascinating and just slightly lovable.
"The Queen of Versailles" turns out to be a portrait -- appalling, absorbing and improbably affecting -- of how, even within a system seemingly designed to ensure that the rich get richer, sometimes the rich get poorer.
Through a clear lens unclouded by politics or blame, it offers insight into the hazardous American practice of living beyond our means.
A portrait of the American Dream gone sour so absurdly engaging that you might be ashamed of enjoying it so much.
A can't-look-away cross between a Bergman drama and a "Real Housewives" spin-off.
The Queen of Versailles presents a fascinating case study of how the collapsing economy impacted the superrich. It will also likely drive anybody who isn't the superrich up the wall.
It would be easy to look at this with smug satisfaction, but director Lauren Greenfield is impassive.
Surely more topical (and essential) now than when it was conceived, The Queen of Versailles plays like a Christopher Guest parody of the financial crisis.
Watching "The Queen of Versailles" you don't know whether to laugh or cry.
Whatever their crimes of bad taste, they had it, flaunted it, lost it, and lived to tell the tale.
The pride, gluttony and inexplicable romance in the tale are almost Shakespearean.
By the end, the movie has pulled off a small miracle: You become absorbed in the lives of these people for who they are and not what they own.
In director Lauren Greenfield's tremendous documentary packed with terrific details, greed is not good. It is a slow, self-inflicted wound whose pain hits hard and fast.
A well-told tale about having to atone for sins of the sub-prime era.
A tragicomic indulgence of schadenfreude with the sophistication of a Kardashian reality show.
The result is a rich portrait.
A dysfunctional family documentary which invites the audience to take pleasure in the misfortunes of some decidedly-decadent 1%ers.
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Source: http://www.rottentomatoes.com/m/the_queen_of_versailles/
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